I was asked “how do you physically do your writing?”
Well, it’s the connection between the hand and the brain really and
I don’t send in my manuscripts in longhand.
It’s the first contact with the idea is me and the page and I mean I can even go even further into that as I write by pencil and I have anĀ eraser on the
pencil and so I erase that, it’s a very primitive form of cut and paste really and I do that and it just suits me Continued…
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Tagged with how to write, how write.
By helisell
– July 1, 2009
I’d been an actor, I know when you walk on the stage it’s a
different animal every night really, and they require different
things: sometimes that audience is slow, sometimes it’s ahead of
you, you know, and sometimes it’s very, very lazy and you’ve got to
work your butt off to get them Continued…
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Tagged with writing for theatre.
By helisell
– July 1, 2009
This is an extract from the transcript of an intervew given by the
well known British writer Philip Martin.
The discussion was about a writer friend who was stuck because the publishers felt that his characters lacked ‘depth’
So I said to him, What about interviewing your characters?” And he
said, “Huh?” I said, “Look, you get a piece of paper Continued…
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By helisell
– May 18, 2009